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What She Left Behind: A Haunting and Heartbreaking Story of 1920s Historical Fiction-Ellen Marie Wiseman

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Half a million copies sold! The breakout novel from the New York Times bestselling author of The Orphan Collector, What She Left Behind weaves together riveting stories of past and present, exploring the strength of women in two different times as they face adversity in two very different ways. Go inside the horrifying walls of a 1920s New York asylum as a wrongly imprisoned woman fights for what is most important to her—and meet the young woman confronting the pain and mystery of her own family’s mental illness two generations later. Ten years ago, Izzy Stone’s mother fatally shot her father while he slept. Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at the local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades-old journal, and a window into her own past. Young flapper and suffragette Clara Cartwright is caught between her overbearing parents and her desire to be a modern woman. Furious when she rejects an arranged marriage, instead finding love with an Italian Immigrant, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash of 1929, he can no longer afford her care—and Clara is committed to the public asylum. Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results. “Screams with authenticity, depth, and understanding.” —The New York Journal of Books “A real page turner…will appeal to all readers of fiction.” —The Historical Novels Review “Amazing…A great read!” —The San Francisco Book Review “Will both haunt and inspire you… a moving, and at times chilling story that totally endears you to her characters.” —SpaWeek “A great coming-of-age story.” —School Library Journal

Book What She Left Behind: A Haunting and Heartbreaking Story of 1920s Historical Fiction Review :



As a mental health professional, I am adamantly against this book. It perpetuates the exact stereotypes of mental illness that prevent people from receiving needed and helpful treatment. If I knew nothing about mental health, I would learn that 1) there’s a bright line between completely normal and mentally ill; 2) if you start having crazy thoughts, you can get over them if you are strong, thus proving you are not mentally ill; 3) if you are not strong enough to resist mental illness, treatments are akin to torture and do not help; 4) people who are mentally ill are extremely dangerous to others; 5) if mental illness runs in your family, you would be better off not having kids; 6) people who are aware that they have been sexually abused are irretrievably broken; 7) trying to help someone who has a mental illness will lead them to get worse and to hate you. There are a variety of other inaccuracies in the book, but they are less harmful and so I will not describe them here. If you would like to learn more about mental illness, please consider resources from the National Alliance for the Mentally Ill.
The best part of this book is the cover, which had no relevance to the story. The author used a potentially interesting plot device involving research into the personal possessions of long-dead patients in a state mental hospital. The two main protagonists are young women on the verge of adulthood, separated by time and circumstances, but with some tragedies in common. (Spoilers ahead.) The plot is developed in alternating chapters as their individual tales unfold.Here come the spoilers. Initially, the stories were gripping, although the reader is required to overlook amateurish use/misuse of language. The writer uses too many adjectives and adverbs, cliches galore, and some of the worst metaphors I've ever read. When Izzy, the young woman in the present-day plot, faces the death of her estranged mother, we are treated to this bizarre simile: " . . . her organs felt like they were swelling, looking for an escape, like an overheated boiler ready to burst." Izzy and her long-dead counterpart, Clara, are both prone to physical reactions to strong emotion. They vomit, faint, their stomach muscles twist and pull, and their "bowels turn to water." I kept expecting that they would clutch the draperies or have the vapors.Secondary characters are poorly-developed stock personalities common to young-adult novels. (Here I'm echoing other reviewers who couldn't believe this book was written for adults.) In Izzy's story, there was the popular mean girl and her protective, cute-but-dim boyfriend, as well as a single kind girl, who was also shunned by the in-crowd. Clara had rich but cold parents, and a darkly handsome Italian boyfriend from the wrong side of the tracks, taken straight from the old paperback bodice-rippers.The compulsory sinister asylum director was present, as well as a standard assortment of staff and patients. I'll leave the unsavory-past aspects the girls have in common for other intrepid readers. Suffice to say they are as unimaginative as the rest of the book.Wiseman did enough research on past mistreatment of mental patients--or problematic family members--to insert a few horrific details, although here again the narrative gives way to florid melodrama. Clara and Izzy were appealing enough to warrant my finishing the book, which was assigned in my book club. But by the end, I recalled a quote from the great Flannery O'Connor, who said something to the effect that there's many a best-seller that could have been prevented by a good teacher. That's the case here, with promising material ruined by poor writing and editing.

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